Have you ever had this feeling? A film has such a good heart and a lot of festival buzz, then it finally comes to streaming or cinemas in your country and you see it and it’s just, so disappointingly fine, verging on sub-par. It’s a horrible feeling and I had it with Yes, God, Yes,Continue reading “Yes, God, Yes (2020): Disappointingly Amateur From So Much Promise”
Category Archives: Film Reviews
An American Pickle (2020): Capitalist Propaganda Masked By Buddy Comedy
There seems to be something happening in American Comedy ™ at the moment. A big problem I’ve been having with American Comedy ™ of late is that it feels like there wasn’t any actual filmmaking happening, it’s just one big homogeneous glob of improvisation. No real jokes just people all standing in a room withContinue reading “An American Pickle (2020): Capitalist Propaganda Masked By Buddy Comedy”
License to Review #12: For Your Eyes Only (1981)
James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). “It filled me with wonder, because of its cinematographicContinue reading “License to Review #12: For Your Eyes Only (1981)”
Staff Picks: The Amazing Alfred Hitchcock
Today marks the birth of the Master of Suspense himself, British filmmaking legend, Alfred Hitchcock. To commemorate this occasion, we at A Fistful of Film have chosen to examine some of our favourites out of his filmography, from his early silent films to his acclaimed latter-day output. The Lodger: A Story of London Fog (1927):Continue reading “Staff Picks: The Amazing Alfred Hitchcock”
License to Review #11: Moonraker (1979)
James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). Despite my enthusiastic response to The Spy Who LovedContinue reading “License to Review #11: Moonraker (1979)”
The Village (2004), an overlooked gem?
After breaking into the mainstream consciousness with The Sixth Sense and his twist that rocked the world, M. Night Shyamalan has had a rocky career. His post-Unbreakable trajectory a lot of his early 2000’s work was written off as failed attempts at returning to The Sixth Sense, and as time went on he became knownContinue reading “The Village (2004), an overlooked gem?”
Palm Springs (2020): Finding Joy In The End Of The World
So, this is going to be a review about our current moment, or more specifically, the current moment of my peers and I. I know, I know, everyone and their mothers has written about Palm Springs & quarantine but, I want to talk about other things. So Palm Springs covers what is fast emerging asContinue reading “Palm Springs (2020): Finding Joy In The End Of The World”
Angel Heart (1987): Rest in Peace Alan Parker
The news of Alan Parker’s passing was tremendously sad for myself as a British film fan. A truly influential, and accomplished director who has been a presence in my life since my school put on a performance of Bugsy Malone and we spent many afternoons watching Parker’s fantastic 1976 debut in preparation. Since then IContinue reading “Angel Heart (1987): Rest in Peace Alan Parker”
Death Wish (1974): Fill Your Hand…Draw
Writer Jacob Calta reflects on the notorious 1974 crime thriller that further cemented Charles Bronson as an action star of the 20th century.
License to Review #10: The Spy Who Loved Me (1977)
James Bond will return to cinemas this November with his twenty-fifth adventure, No Time to Die. In preparation, David Alkhed will take a look at all the previous entries in the franchise and see which ones are deserving of praise (shaken) and which ones aren’t (stirred). The Roger Moore era of Bond was the oneContinue reading “License to Review #10: The Spy Who Loved Me (1977)”